Monday, March 16, 2026

Culture

“Being Maria” Brings Maria Schneider’s Traumatic Career to Light

When Film Forum showed “Last Tango in Paris” this past December, as part of a Marlon Brando retrospective, the venue’s web page for the screening included a note stating that “lead actress Maria Schneider revealed in 2007...

The Ecstatic Intimacies of Joe Brainard

“I am a sucker for people who seem to do what they do just for you (me).” The artist and writer Joe Brainard dashed off this thought in 1969, in a letter to his friend and fellow-poet Bill...

Pedro Lemebel, a Radical Voice for Calamitous Times

These days, when an American President has decreed that “there are only two genders: male and female” and issued a slew of executive orders and actions undermining the rights of trans people, an undaunted, lyrical voice from a...

Amy Sherald’s “Miss Everything (Unsuppressed Deliverance)”

The artist Amy Sherald is known for her stirring portraits of First Lady Michelle Obama and Breonna Taylor, and often uses grayscale to complicate representations of race in portraiture. In Sherald’s first cover for the magazine, for the...

Saul Steinberg’s Masterful Language of Lines

Saul Steinberg, the Romanian American artist and longtime New Yorker contributor, is as celebrated for his elegant line as he is for his razor-sharp wit. His 1945 début American collection, “All in Line,” recently reissued by New York...

Graydon Carter’s Wild Ride Through a Golden Age of Magazines

At Spy, Carter had mocked Vanity Fair, which he had found breathy and incestuous. (“In Vanity Fair, it’s sometimes difficult to tell who is slurping whom,” Spy pronounced in 1988.) Now, with no warning or plan, he had...

The British Hits Are Coming

Also: Cate Blanchett in “Black Bag”; Felix Mendelssohn’s overlooked sister, at the Morgan Library; uncovered songs by “Rent” ’s Jonathan Larson; and more. Source link

Uneven Revivals of “A Streetcar Named Desire” and “Ghosts”

In early 1947, the playwright Tennessee Williams wrote to the producer Irene Selznick because Elia Kazan, who had been tapped to direct the Broadway première of “A Streetcar Named Desire,” was balking. Who else could direct “Streetcar”? Williams...

The Maddening Disconnect of Phone Therapy in “Happy to Help You,” featuring Amy Sedaris

Two individuals, each with plenty of issues and their own communication quirks, collide on opposite ends of a mental-health helpline in Jeremy Beiler’s short film “Happy to Help You.” Amy Sedaris plays Nora, who reluctantly calls in after...

“Rot: An Imperial History of the Irish Famine,” Reviewed

In the first act of the wittiest Irish play of the nineteenth century, Oscar Wilde’s “Importance of Being Earnest,” there is much ado about a shortage of food. The fearsome Aunt Augusta is coming to tea, but we...
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From Emma Stone to Jessie Buckley, 6 Stars Wearing Monochrome Makeup at the 2026 Oscars

When it comes to award-show glamour, I drink up every detail of the looks that make our best...
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