By exploring Armstrong’s offstage struggles and tensions, “A Wonderful World” wants to shatter the image of an entertainer who was far more than just affable.
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An unknown work in the composer’s hand has emerged in a New York museum, the first such find in more than a half century. The pianist Lang Lang plays it here.
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The music mogul’s business portfolio has shrunk, in part because of multiple sex abuse allegations, but his wealth remains a critical factor as his criminal case unfolds.
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With his smooth voice, he drew crowds to cabarets and music halls for six decades. He also sang the themes for films and TV shows, including “The Love Boat.”
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“Alma,” premiering this week at the Vienna Volksoper, views its often-vilified protagonist through a feminist lens: as a thwarted composer and mother.
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He sang with the band in its early years before being replaced by Bruce Dickinson. He later worked with other bands and pursued a solo career.
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At a time when the business of being Taylor Swift or Beyoncé is booming, these films examine toxic fandom and what can seem like mass hysteria.
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He mystified his Finnish countrymen with an unstoppable flow of compositions. He was also, one journalist said, “an alarming person to interview.”
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