At the Metropolitan Opera’s season premiere of Elijah Moshinsky’s production, it was the women who led, while a strong cast carried the patchwork plot.
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The major outlines of the prosecution of the music mogul Sean Combs have taken shape in a Manhattan courtroom. But several issues at the core of the case remain unanswered.
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Kate Soper’s tender, whimsical “Orpheus Orchestra Opus Onus,” a tribute to the orchestra, had its premiere on Thursday with its composer as soloist.
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After four days with Casandra Ventura, the mogul’s former girlfriend, on the stand, prosecutors are seeking to corroborate her testimony with additional witnesses.
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Her fans were called Noranians for their devotion to a performer who had enthralled her country — onscreen and on the concert stage — since she was a teenager.
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Prosecutors began a redirect after defense lawyers challenged Casandra Ventura with reams of text messages from her long relationship with Mr. Combs.
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