Thursday, January 22, 2026

Ravi Desai

Donald Trump, Drama Queen | The New Yorker

© 2026 Condé Nast. All rights reserved. The New Yorker may earn a portion of sales from products that are purchased through our site as part of our Affiliate Partnerships with retailers. The material on this site may...

When Bernie Sanders Headed for the Hills

Bernie Sanders was just a skinny, gap-toothed kid from Brooklyn in the autumn of 1953, when Vermont opened an information bureau at 1268 Avenue of the Americas, next door to Radio City Music Hall. The Green Mountains beckoned!...

Adrian Tomine’s “Post-Vacation” | The New Yorker

For the cover of the January 26, 2026, issue, the cartoonist Adrian Tomine depicted a scene that New Yorkers often encounter in the depths of winter. “I inevitably see some suntanned subway rider, just back from a beachy...

Helen, Help Me: On the Phenomenology of Cheeseburgers

A New Yorker food critic answers questions about burger toppings, beef tallow, and the subjectivity of memory. Source link

An Indigenous Community’s Spiritual Haunting

In “Jaidë,” or “House of Spirits,” the Colombian photographer Santiago Mesa documents a remote people facing a rash of youth suicides. Source link

Nia DaCosta Injects New Blood Into “28 Years Later: The Bone Temple”

In “The Bone Temple,” the full extent of Jimmy’s evil is revealed early on. So, too, is the range of O’Connell’s screen villainy, no less impressively showcased by his recent turn as a vampire in “Sinners.” Jimmy is...

A President with His Finger on the Nation’s Pulse

© 2026 Condé Nast. All rights reserved. The New Yorker may earn a portion of sales from products that are purchased through our site as part of our Affiliate Partnerships with retailers. The material on this site may...

In Two Films About Palestinian Struggle, Time Is of the Essence

Dabis’s diagrammatically structured screenplay is built on clear historical parallels and tidy intergenerational contrasts. A young boy adores his father, yet grows up to be despised by his own son. Political rage seems to ebb and flow with...

“The Chronology of Water” Is an Extraordinary Directorial Début

But get away Lidia does, and, finally free of paternal authority, she’s out of control: drinking and taking drugs, partying hard, flunking out, targeting a gentle guitar-playing boy named Phillip (Earl Cave) for a hearts-and-flowers romance even as...

How to Recover from Caring Too Much

In Clayton’s and Josephson’s hands, though, the fawn response becomes something more pliable, less a sign of acute threat than a broadly anxious orientation to the world. “For some people, fawning is about being more of who they...

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William Shatner’s cereal photo tied to Super Bowl commercial

He’s going from cereal bowl to Super Bowl. A viral photo of William Shatner eating a bowl of flakes while driving...
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