Saturday, December 20, 2025

Ravi Desai

Christoph Niemann’s “Market Shift” | The New Yorker

For the cover of the October 27, 2025, Money Issue, the artist Christoph Niemann set out to visualize how the preposterously rich pay a disproportionately small share of taxes. In conversation, Niemann expressed another grievance, one born out...

Restaurant Review: Johnny’s | The New Yorker

The food, too, does some artful recontextualizing. Kam lu wantan, for instance, is a classic chifa dish of deep-fried wontons that are tossed in a sweet-and-sour sauce with meat and vegetables. At Johnny’s, they arrive with all of...

A Bona-Fide Disco Album That Feels Urgently of the Moment

Many of the paired dances of the twentieth century—the foxtrot, the waltz, the Lindy Hop—reflected the binary gender dynamics of the day: men led and women followed, on the dance floor as at home. There were exceptions, such...

Richard Linklater on His Two New Films, “Blue Moon” and “Nouvelle Vague”

Listen and subscribe: Apple | Spotify | Google | Wherever You ListenSign up for our daily newsletter to get the best of The New Yorker in your inbox.Richard Linklater is one of the most admired directors working today,...

D’Angelo’s Genius Was Pure, and Rare

This week, the R. & B. singer D’Angelo died at age fifty-one, of cancer. He was best known for deftly combining the heft and tenderness of soul music with the ingenuity and nerve of hip-hop, and while he was acclaimed...

Yo-Yo Ma on What Our Descendants Will Inherit

Earlier this month, the celebrated cellist Yo-Yo Ma turned seventy—an occasion that led him to reflect on not just his own past but also the planet’s future. In a letter to fans, he wrote, “Today, I am worried....

“A House of Dynamite” Is a Major Misfire from a Great Filmmaker

Little of this plays to Bigelow’s strengths. She has directed at least one screw-tightening nuclear-crisis movie before, the Soviet-submarine thriller “K-19: The Widowmaker” (2002). But, at her best, she has a gift for making the passage of time...

Diane Keaton’s Shadows and Light

In Vanity Fair in 1987, Keaton told Joan Juliet Buck, “I was always pretty religious as a kid, but I had trouble with Jesus early on because I couldn’t understand that there was a son of God here...

From Life in Prison to the Eras Tour

Still, over time, I earned a reputation. “Joe’s straight,” guys would say, with some mix of mockery and begrudging respect. The prison system assigned each of us a security designation, based in part on our disciplinary records; after...

The Erotics of Coreen Simpson

“The face was not important in the history of nude photography,” Simpson said, in an interview not too long ago. And what has Simpson used to obscure the faces of the subjects in her photographs? That mask we...

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Alexa Chung Proves Floral Coats in Winter Are Cool

Alexa Chung exhausts me sometimes because she is always wearing something that I didn't know I needed and...
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