Wednesday, April 15, 2026

Culture

What Zendaya Leaves Unsaid | The New Yorker

Is her professionalism an obstacle to risk? Fatal to artistry? She speaks matter-of-factly about her relative privilege in the industry. She is not “only” an actress; she is a producer, which dates back to her time on “K.C....

Noah Kahan Makes an Unlikely Home-Town Hero

In 2023, Noah Kahan, a singer and songwriter from Strafford, Vermont, leapfrogged to superstardom following the release of “Stick Season,” a COVID-era LP full of claustrophobic, lovesick folk songs. Kahan has a soft, nasal voice—more Simon than Garfunkel—and...

“Blue Heron” Is an Exalted Drama of Troubled Childhood

The movie’s fluid observational construction conjures drama by compounding micro-incidents; its narrative emerges from the shaping of young Sasha’s inchoate sensibility as she observes the troubles that surround her. The story is something of a palimpsest, with Romvari’s...

Mad About the Mandolin | The New Yorker

Calace, I discovered, was a Neapolitan workshop that had been making mandolins since 1825, and Raffaele Calace, the grandson of the founder, had been the greatest composer for mandolin in the late nineteenth century. But his music was...

“Exit 8” Is a Video-Game Adaptation That Ingeniously Subverts Its Source

The rules of this netherworld announce themselves, early on, via a nondescript wall sign. “Do not overlook any anomalies,” it says. “If you find an anomaly, turn back immediately.” An anomaly, the Lost Man realizes, can be a...

“Big Mistakes” Is a Crime Show for the Girls and the Gays

At the start of the new comedic thriller “Big Mistakes,” the lives of Nicky Dardano (Dan Levy), a quasi-closeted pastor, and his sister Morgan (Taylor Ortega), an elementary-school teacher, are far from ideal. That’s before Morgan steals a...

It’s Déjà Vu All Over Again | The New Yorker

© 2026 Condé Nast. All rights reserved. The New Yorker may earn a portion of sales from products that are purchased through our site as part of our Affiliate Partnerships with retailers. The material on this site may...

“The Drama” Is One Long Troll

Zendaya and Robert Pattinson are charismatic as a couple confronting the fallout from an appalling revelation, but the film itself seems engineered solely to stimulate discourse. Source link

Will Biblical Womanhood Box You In or Set You Free?

Twenty years ago, Hatmaker was much like Waters: a young pastor’s wife raising three little kids while writing her first books on Biblical wisdom for Christian women. She practiced the same schedule sorcery as Waters, writing from 8:15...

Restaurant Review: Kelang | The New Yorker

The best thing on the menu at Kelang, a Malaysian restaurant in Greenpoint that opened in December, is a puffy paratha on a bed of spiced red-lentil dal, topped with creamy Italian stracciatella cheese. Depending on who you...
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What Zendaya Leaves Unsaid | The New Yorker

Is her professionalism an obstacle to risk? Fatal to artistry? She speaks matter-of-factly about her relative privilege in...
- Advertisement -spot_img