Wednesday, May 27, 2026

Culture

The Kids Are Not All Right at Cannes

Writing last week from the seventy-ninth Cannes Film Festival, I noted that some of the best movies to première here are often overlooked for prizes. The events of the past few days have forced me to amend that...

Mark Ulriksen’s “Kings of New York”

For the cover of the June 1, 2026, issue, the artist Mark Ulriksen wanted to celebrate the Knicks, one of the city’s beloved basketball teams. “Their latest star, Jalen Brunson, belongs with the other greatest Knicks of all...

Restaurant Review: Cote 550 | The New Yorker

The restaurateur Simon Kim opened Cote in the Flatiron district, in 2017, with an alluring conceit: a marriage of two of the great beef-worshipping restaurant genres, the Korean-barbecue joint and the American steak house. He borrowed Cote’s format...

The Verve and Confrontation of Lisa Yuskavage’s Naked Ladies

The history of art is littered with naked ladies, of course, from Botticelli’s “Birth of Venus” to Ingres’s “Grande Odalisque” to Picasso’s “Nude Woman in a Red Armchair,” but Yuskavage’s ladies are, indeed, of a particular kind, and...

Dana White Thinks Everyone’s a Fighter

Why would that be?If your parents put you in martial arts when you were young, your parents had money. Martial-arts training isn’t cheap. And a lot of these guys were college wrestlers, so they all went to college....

The Fear Driving “Well, I’ll Let You Go” and “Othello”

Like the recent Broadway play “Little Bear Ridge Road,” “Well, I’ll Let You Go” is a portrait of people living in isolation, their walls up—a situation ripe for an explosion. Refreshingly, the play doesn’t cheat its way toward...

From Heel to Calf | The New Yorker

© 2026 Condé Nast. All rights reserved. The New Yorker may earn a portion of sales from products that are purchased through our site as part of our Affiliate Partnerships with retailers. The material on this site may...

Drake Would Like to Settle the Score

In 2009, after he had retired from his old career as a teen-age actor, and just as he was launching his new career as a grownup hip-hop star, Drake made a prediction: “When my album drop, bitches’ll buy...

All of a Sudden, the Glories of Cannes Are Upon Us

As ever, Gray uses personal dramas to illuminate larger political realities. In the coming-of-age film “Armageddon Time,” he drew a direct connection from the racist policies of the Reagan era to the overt white supremacy of the Trump...

“The Audacity” Is a Brutal Silicon Valley Satire with an Agenda

Midway through my watch of the new tech-satire series “The Audacity,” I received an e-mail from Google that I had received many times before. My personal data had been found online, it said. This time, it was my...
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Stephanie Suganami & Cara Santana Leto on Their Staples

If you’re looking for warm-weather shopping inspiration, there may be no better place to start than looking to...
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