Wednesday, June 24, 2026

Culture

A Sprawling Monument to How Things Get Made

Mark Power’s “Fashion” lavishes formal attention on industrial machinery and, by extension, on the human effort behind it. Source link

Mind-Blowing Life Hacks to Rectify Reflecting-Pool Problems!

Kiss unwanted algae goodbye! Source link

Why the Odyssey Keeps Defeating Filmmakers

Since the fifteenth century, most adaptations of Homer have taken the form of translation, which has never been easy. Homer wrote a very long line of poetry—dactylic hexameter, with its six beats, and as many as seventeen syllables....

A Diehard Drinker Accidentally Quits

The cultural discourse around avoiding alcohol never convinced me—and why sober up when the world is burning? Then life intervened. Source link

“Toy Story 5” Won’t Leave Kids to Their Own Devices

Ingeniously, Stanton and Harris weaponize a foundational conceit of the “Toy Story” universe—that inanimate objects can have freedom of will, thought, and movement—in order to feed our anxieties about the insidious autonomy of tech and A.I. For parents...

“Widow’s Bay” Sets a High Bar for Horror Comedy

A decade ago, back when Twitter was still Twitter, and writerly types gathered there to amuse one another, a Los Angeles-based screenwriter named Katie Dippold posted one of the all-time great tweets. It was “tbt,” or throwback Thursday,...

A Trollish New Campus Novel Hates Students and Professors Alike

The novel’s main two conflicts center on the university. First, there is an ongoing existential battle being waged between the university (the purview of the academics) and the city’s wild, unstoppable greenery (the purview of the gardeners, a...

In “Disclosure Day,” Steven Spielberg Steps Out from Behind the Curtain

Margaret is entirely aware of what she’s doing when she pulls off these empathetic maneuvers, but she remains oblivious to how she herself is being puppeteered—when she speaks Russian or Korean, when she clucks. There’s a link between...

Olivia Rodrigo’s Early-Twenties Lament | The New Yorker

“They say modern love’s a cruel endeavor,” Olivia Rodrigo sings on “u + me = <3,” a lush, desperate new song from her third album, “You Seem Pretty Sad for a Girl So in Love.” She adds, “And...

Restaurant Review: Marcel | The New Yorker

The menu, from the French chef Marie-Aude Rose, who also runs La Mercerie, is old-fashioned in the au-courant way. A preprandial demi-baguette is laid directly on the tablecloth—no board, no basket, no plate; nothing is chicer, or more...
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14 J.Crew and Zara Buys With Major French Riviera Energy

The state of my bank account doesn't support a Euro summer, so I'll have to settle for a...
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