Sunday, April 12, 2026

Culture

Mad About the Mandolin | The New Yorker

Calace, I discovered, was a Neapolitan workshop that had been making mandolins since 1825, and Raffaele Calace, the grandson of the founder, had been the greatest composer for mandolin in the late nineteenth century. But his music was...

“Exit 8” Is a Video-Game Adaptation That Ingeniously Subverts Its Source

The rules of this netherworld announce themselves, early on, via a nondescript wall sign. “Do not overlook any anomalies,” it says. “If you find an anomaly, turn back immediately.” An anomaly, the Lost Man realizes, can be a...

“Big Mistakes” Is a Crime Show for the Girls and the Gays

At the start of the new comedic thriller “Big Mistakes,” the lives of Nicky Dardano (Dan Levy), a quasi-closeted pastor, and his sister Morgan (Taylor Ortega), an elementary-school teacher, are far from ideal. That’s before Morgan steals a...

It’s Déjà Vu All Over Again | The New Yorker

© 2026 Condé Nast. All rights reserved. The New Yorker may earn a portion of sales from products that are purchased through our site as part of our Affiliate Partnerships with retailers. The material on this site may...

“The Drama” Is One Long Troll

Zendaya and Robert Pattinson are charismatic as a couple confronting the fallout from an appalling revelation, but the film itself seems engineered solely to stimulate discourse. Source link

Will Biblical Womanhood Box You In or Set You Free?

Twenty years ago, Hatmaker was much like Waters: a young pastor’s wife raising three little kids while writing her first books on Biblical wisdom for Christian women. She practiced the same schedule sorcery as Waters, writing from 8:15...

Restaurant Review: Kelang | The New Yorker

The best thing on the menu at Kelang, a Malaysian restaurant in Greenpoint that opened in December, is a puffy paratha on a bed of spiced red-lentil dal, topped with creamy Italian stracciatella cheese. Depending on who you...

How Robert Rauschenberg Made the Real Realer

Rauschenberg returned to Black Mountain for the summer of 1951. By then, the photographers Aaron Siskind and Harry Callahan were teaching at the school, along with Hazel Larsen Archer, who had overlapped with Rauschenberg in 1949 and captured...

Who’s In, Who’s Out at the Department of War

Look who’s looksmaxxing. Source link

“The Drama” Has a Combustible Premise That It Struggles to Justify

Does the movie itself know who she is? I’m not so sure. Emma is a literary editor, though the specifics are awfully vague—a late subplot involving challenges on the job feels particularly superficial—and her love for literature seems...
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Mad About the Mandolin | The New Yorker

Calace, I discovered, was a Neapolitan workshop that had been making mandolins since 1825, and Raffaele Calace, the...
- Advertisement -spot_img