Saturday, April 18, 2026

Culture

The Art of the Fictional Pop Song

Then again, an especially good fictional song can come to feel more real than its story of origin. Lustra’s pop-punk cuckoldry anthem “Scotty Doesn’t Know” has detached from the raunchy teen comedy “EuroTrip” (2004) and taken on a...

Donald Trump, Bible-Thumper | The New Yorker

© 2026 Condé Nast. All rights reserved. The New Yorker may earn a portion of sales from products that are purchased through our site as part of our Affiliate Partnerships with retailers. The material on this site may...

Cory Doctorow on the High Cost of Living with the Ultra-Rich

“Billionaireism,” as defined by the writer and internet critic Cory Doctorow, describes “both the pathology that affects you when you are so wealthy that you’re effectively above consequences and above moral consideration for others, and the pathologies that...

What Zendaya Leaves Unsaid | The New Yorker

Is her professionalism an obstacle to risk? Fatal to artistry? She speaks matter-of-factly about her relative privilege in the industry. She is not “only” an actress; she is a producer, which dates back to her time on “K.C....

Noah Kahan Makes an Unlikely Home-Town Hero

In 2023, Noah Kahan, a singer and songwriter from Strafford, Vermont, leapfrogged to superstardom following the release of “Stick Season,” a COVID-era LP full of claustrophobic, lovesick folk songs. Kahan has a soft, nasal voice—more Simon than Garfunkel—and...

“Blue Heron” Is an Exalted Drama of Troubled Childhood

The movie’s fluid observational construction conjures drama by compounding micro-incidents; its narrative emerges from the shaping of young Sasha’s inchoate sensibility as she observes the troubles that surround her. The story is something of a palimpsest, with Romvari’s...

Mad About the Mandolin | The New Yorker

Calace, I discovered, was a Neapolitan workshop that had been making mandolins since 1825, and Raffaele Calace, the grandson of the founder, had been the greatest composer for mandolin in the late nineteenth century. But his music was...

“Exit 8” Is a Video-Game Adaptation That Ingeniously Subverts Its Source

The rules of this netherworld announce themselves, early on, via a nondescript wall sign. “Do not overlook any anomalies,” it says. “If you find an anomaly, turn back immediately.” An anomaly, the Lost Man realizes, can be a...

“Big Mistakes” Is a Crime Show for the Girls and the Gays

At the start of the new comedic thriller “Big Mistakes,” the lives of Nicky Dardano (Dan Levy), a quasi-closeted pastor, and his sister Morgan (Taylor Ortega), an elementary-school teacher, are far from ideal. That’s before Morgan steals a...

It’s Déjà Vu All Over Again | The New Yorker

© 2026 Condé Nast. All rights reserved. The New Yorker may earn a portion of sales from products that are purchased through our site as part of our Affiliate Partnerships with retailers. The material on this site may...
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