In the show notes handed to audience members at Marc Jacobs’s Fall/Winter 2026 presentation, at New York’s Park Avenue Armory in early February, the designer included a section titled Credits and Receipts. The list included entries like “Yves...
By the time Kornev is finally ushered into the cell of Stepniak (a mesmerizing Aleksandr Filippenko), there’s no sense of triumph or even anticipation about what he will discover. Stepniak’s account is terrifying, though not terribly surprising: he...
Tempting as it is to blame Trump for the Kennedy Center’s fate, he does not bear sole responsibility. The idea of a national arts center was always more of a noble dream than a reality. Kennedy’s own reputation...
In Hollywood, and at the Oscars, “hope” is a very big word. Chloé Zhao used it in her recorded introduction to a clip from her film “Hamnet,” and Conan O’Brien, hosting the festivities, offered it as a reason...
The couple got into a Warner Bros.-issued Suburban. “Larry, do you have my speech?” Carter called out. (It would remain unread; she lost to Kate Hawley, for “Frankenstein.”) Her first film was Spike Lee’s “School Daze,” in 1988,...
People love to scoff at this sort of high-concept culinary stuff. What’s served at Noma is “food” in the way that couture is clothing–a basic human need spun so far beyond the minimums of physical exigency that it’s...
Gil Rodin sent his nephew to the Reinhardt Workshop, a performing-arts school run by the towering Austrian émigré director Max Reinhardt, who had settled in L.A.. Reinhardt had made a bewitching adaptation of “A Midsummer Night’s Dream,” which...
Elizabeth Cady Stanton believed that she was a person of “superior intelligence and courage.” This fuelled her radical politics—and her eventual descent into bigotry.
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Still, the most remarkable performance at the Cherry Lane is by Peter Friedman, who plays the kind of father you rarely see in art: a good one. It’s a hard sort of acting to describe, a spectacle of...
