In Nicholas Thompson’s book, “The Running Ground,” which came out this week, he writes that “Over the years, the sport has shifted my imagination and my sense of self.” For Thompson—a former New Yorker editor who is now...
On October 26, 2025, the actor Sarah Jessica Parker took the stage with the New Yorker staff writer Rachel Syme for a conversation at the 26th annual New Yorker Festival, a weekend of conversations, screenings, performances, and more....
On October 25, 2025, the writers George Saunders and Zadie Smith took the stage with The New Yorker’s fiction editor, Deborah Treisman, for a discussion at the 26th annual New Yorker Festival, a weekend of conversations, screenings, performances,...
Our food critic advises a reader on where to find out-of-town restaurant recommendations, and answers another about a salad-dressing shortcut.
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In 2025, A.I. seems to pop up on TV nearly as often as it does in real life. On the hospital-mockumentary sitcom “St. Denis Medical,” a curmudgeonly physician resents the unerring faith that a patient has in his...
A crisis point comes during a cross-country road trip, during which Bruce’s driver, Matt (Harrison Sloan Gilbertson), has to help a distressed Bruce stay on his feet at a county fair. But that scene, too, is brisk, generic,...
In her new book, Beth Macy returns to her home town of Urbana, Ohio, using it as a ground zero for understanding right-wing radicalization.
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The inevitable progress of technology, in other words, makes the technological sublime elusive. And it’s also true that technologies tend to shrink themselves, taking on unassuming guises. (“Technologies tend toward ubiquity and cheapness,” Kelly writes.) My son and...
For the cover of the October 27, 2025, Money Issue, the artist Christoph Niemann set out to visualize how the preposterously rich pay a disproportionately small share of taxes. In conversation, Niemann expressed another grievance, one born out...
