Most people who see the Zambian British director Rungano Nyoni’s extraordinary new film, “On Becoming a Guinea Fowl,” will not be Zambian. Like Nyoni’s first feature, “I Am Not a Witch” (2017), it has played in film festivals,...
In 2021, Avish Naran had an epiphany. After graduating from culinary school, in Napa, he’d been cycling through the kitchens of high-end Indian restaurants in San Francisco and New York—Rooh, August 1 Five, Indian Accent—with an eye toward...
In 2023, Williams, who had picked up beat-making as a hobby during the pandemic, sought to deepen his understanding of the form and his long-standing attachment to innovators such as Dilla. He found a group of producers hosting...
“Sons and Daughters” is quite probably the last great Yiddish novel. Chaim Grade, who was born in what is now Lithuania, in 1910, and spent the second half of his life in the Bronx, wrote it from the...
When Film Forum showed “Last Tango in Paris” this past December, as part of a Marlon Brando retrospective, the venue’s web page for the screening included a note stating that “lead actress Maria Schneider revealed in 2007...
“I am a sucker for people who seem to do what they do just for you (me).” The artist and writer Joe Brainard dashed off this thought in 1969, in a letter to his friend and fellow-poet Bill...
These days, when an American President has decreed that “there are only two genders: male and female” and issued a slew of executive orders and actions undermining the rights of trans people, an undaunted, lyrical voice from a...
The artist Amy Sherald is known for her stirring portraits of First Lady Michelle Obama and Breonna Taylor, and often uses grayscale to complicate representations of race in portraiture. In Sherald’s first cover for the magazine, for the...
Saul Steinberg, the Romanian American artist and longtime New Yorker contributor, is as celebrated for his elegant line as he is for his razor-sharp wit. His 1945 début American collection, “All in Line,” recently reissued by New York...
