Friday, January 16, 2026

Ravi Desai

A President with His Finger on the Nation’s Pulse

© 2026 Condé Nast. All rights reserved. The New Yorker may earn a portion of sales from products that are purchased through our site as part of our Affiliate Partnerships with retailers. The material on this site may...

In Two Films About Palestinian Struggle, Time Is of the Essence

Dabis’s diagrammatically structured screenplay is built on clear historical parallels and tidy intergenerational contrasts. A young boy adores his father, yet grows up to be despised by his own son. Political rage seems to ebb and flow with...

“The Chronology of Water” Is an Extraordinary Directorial Début

But get away Lidia does, and, finally free of paternal authority, she’s out of control: drinking and taking drugs, partying hard, flunking out, targeting a gentle guitar-playing boy named Phillip (Earl Cave) for a hearts-and-flowers romance even as...

How to Recover from Caring Too Much

In Clayton’s and Josephson’s hands, though, the fawn response becomes something more pliable, less a sign of acute threat than a broadly anxious orientation to the world. “For some people, fawning is about being more of who they...

Restaurant Review: Cove | The New Yorker

The chef Flynn McGarry was only thirteen years old when he débuted a tasting-menu pop-up in his home town of Los Angeles, in 2012. He was nineteen when the doors opened at Gem, his real-deal restaurant on the...

The Robot and the Philosopher

Sophia wasn’t particularly talkative that evening. Earlier that day, she’d been onstage at the conference I was attending and had been teased for a gesture that looked as though she were flipping off the audience. Now she was...

The Gospel According to Emily Henry

“I’m a huge dog person, which means that I experience death somewhat regularly, with the most beloved creature in my life,” she went on. “Every time that happens, you tell yourself, ‘I can’t do this. I can’t open...

Béla Tarr’s Unbroken Visions | The New Yorker

A titanic artist’s death is a terrible shock. In the case of the Hungarian filmmaker Béla Tarr, who has died after a long illness, at the age of seventy, I confess that I’d expected—without necessarily hoping for—a faint...

Reading for the New Year: Part Two

To start the new year, New Yorker writers are looking back on the last one, sifting through the vast number of books they encountered in 2025 to identify the experiences that stood out. This is the second installment...

Harry Bliss’s “Wintry Mix” | The New Yorker

For the cover of the January 12, 2026, issue, the cartoonist Harry Bliss used color and composition to contrast the warmth inside with the blistering cold outside. “While in art school, living off of ramen noodles, I’d peek...

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