Friday, December 19, 2025

Ravi Desai

I Took a Rat Taxidermy Class. Here’s How It Went.

Published December 7, 2025 03:17AMI first encountered taxidermy because I wanted fresh meat for my sled dogs, and I heard of a taxidermist in town with a dilemma. He often discarded bear parts in the woods—which is, by...

Restaurant Review: Babbo | The New Yorker

On my first visit to the original Babbo—God, it must have been twenty years ago—I remember being stunned at my first bite of the beef-cheek ravioli. (“Of all the pasta dishes—indeed, of all the dishes—on the menu, this...

Olga Tokarczuk Recommends Visionary Science Fiction

The Nobel Prize winner Olga Tokarczuk’s fiction is known for its interest in the porosity of boundaries—between nations, between ethnicities, between fiction and reality, consciousness and dreams. As her novels and stories stage the constant flux of national...

How “The New Yorker at 100” Got to Netflix

COBB: Well, I’ll ask you the question that I use when I conclude any interview with any subject, which is: Is there anything that we haven’t talked about that you think is important for the audience to know?APATOW:...

Pete Hegseth, in the Tank

The defensive Secretary of War. Source link

Samuel Beckett on the Couch

Bion, who was born in 1897, in Muttra, India, to a European father and an Anglo-Indian mother, moved to England for boarding school at age eight. After fighting for the British in the First World War, he attended...

“Train Dreams” Is Too Tidy to Go Off the Rails

In Clint Bentley’s adaptation of a Denis Johnson novella, Joel Edgerton plays a builder of bridges who finds himself increasingly cut off from the modern world. Source link

What Makes Goethe So Special?

On his return to Frankfurt, he found it: the life of Götz von Berlichingen, an early-sixteenth-century knight with a prosthetic iron hand, whose autobiography Goethe had stumbled upon in the city library. In six weeks, he drafted his...

Tom Stoppard’s Radical Invitation | The New Yorker

“Rosencrantz and Guildenstern are Dead,” his 1966 Shakespearian meta-theatrical puzzle, about tertiary characters grappling with their inexorable fate, mainstreamed conversations about probability and droll ennui (“Life is a gamble, at terrible odds. If it were a bet you...

The Offices Only a Newsperson Could Love

There is something inspiring about an ugly building. I don’t mean high-concept ugly, like a brutalist tower, but rather a place that’s provisional, and purely functional, if barely—your Meadowlands, your Knights of Columbus halls, your strip malls. These...

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Is EveryPlate Worth It? How the Meal Kit’s Cost Compares to Grocery Shopping

Before I became a mother a year and half ago, mealtime mostly meant assembling "girl dinners" or overspending...
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