The new workplace sitcom from Greg Daniels, who co-created the U.S. version of “The Office,” borrows its predecessor’s mockumentary format—but pales in comparison to what came before.
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Earlier this summer, the pop star Sabrina Carpenter released “Manchild,” the first single from her seventh album, “Man’s Best Friend.” It’s a fluffy screed against a dude mired in an endless adolescence. Heading into the chorus, Carpenter sounds...
There’s a moment from a 2012 episode of Conan O’Brien’s former TBS show that I think about often. O’Brien’s guest, the comedian Eric André, sits down and grabs a microphone from the host’s desk. “Is this my microphone?”...
Waldorf has brought in Michael Anthony, the longtime executive chef of Gramercy Tavern (where he remains), to create the menu. A hotel restaurant—especially a high-end one, especially a high-end one that wants to bring in diners beyond hotel...
In this “El Monte,” the science of ethnography is traded for something less rigid, something more whimsical and unconstrained. Whereas Cabrera sought to present a faithful documentation of the occult, the Jiménezes build a dizzying world of multiple...
Kate Riley’s ambitious début novel, “Ruth,” opens in 1963, the year that its protagonist, Ruth Scholl, is born into a scrupulously managed Christian commune in Michigan. She grows up with two brothers, a working father, and a homemaker...
It’s about to be a very busy season for the actor André Holland. His latest film, “Love, Brooklyn,” begins its theatrical run on August 29th. A day after, he will start a new run of Tarell Alvin McCraney’s...
The new movie “Eden” features bursts of foul temper, wild sex, grisly violence, and nihilist ideology—a departure, you might say, for Ron Howard, a director whose cinematic disposition can be sunny to the point of sanitization. In a...
For a hundred years of New Yorker history (except once, in 2000, for our seventy-fifth anniversary), our covers have featured drawings, not photographs. For the September 1 & 8, 2025, special centenary issue titled “The Culture Industry,” we...
