On April 1st, the day before President Donald Trump’s tariffs cratered global markets, House Speaker Mike Johnson told reporters “to trust the President’s instinct on the economy.” In the days afterward, Johnson’s message was echoed by legions of...
One thing is immediately clear in Anna-Sophia Richard’s short film “My Orange Garden,” and that is how much Faravaz loves to sing. She issues rich, quavering vocals—no matter whether on a stage in a large formal theatre, over...
Benny Scanlon, the protagonist of the new comedy “Overcompensating,” is the kind of boy mothers don’t know to warn their daughters about. Tall, handsome, and polite, Benny—played by Benito Skinner—checks a near-comical number of boxes: valedictorian, football player,...
Writers who contemplate going onstage tend to fall into two camps: those who know better and those who should but don’t. Of the second kind, The New Yorker has, over its hundred years, produced quite a few. Robert...
Richard Kind is the Platonic ideal of a character actor. When he shows up in something—as Larry David’s cousin in “Curb Your Enthusiasm,” as Rudy Giuliani in “Bombshell”—you’re in for an “Oh, it’s that guy! I love that...
The Boston Globe’s investigative Spotlight team has been reporting on wrongdoing for decades—before and after its stunning exposure, in 2003, of the vast Catholic Church child-sexual-abuse crisis, dramatized in Tom McCarthy’s movie “Spotlight,” in 2015. Its latest exposé...
This past October, subscribers to Woman of Letters, the Substack newsletter of the writer Naomi Kanakia, received an e-mail titled “Why I am publishing a novella on Substack.” This novella, Kanakia wrote, was fifteen thousand words long. She...
This magazine’s ongoing centenary celebration has included a cinematic component: a series at Film Forum, “Tales from The New Yorker,” which featured movies connected to The New Yorker’s history, whether because the source material was published here or...
“Only in New York” may be a cliché, but only because it’s so true. For Goings On, in our New York-themed centenary issue, we asked staff writers to share some of their favorite spots that can be found...
Sometimes there’s light at the end of the rabbit hole. When Josef von Sternberg’s film “The Devil Is a Woman,” from 1935, was recently screened, I was curious about how it was received in its first run and...
