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The filmmaker John Carpenter has a whole shelf of cult classics: “They Live,” “The Thing,” “Escape from New York,” “Halloween,” and so many more. And, though he hasn’t directed a new movie in more than a decade, Carpenter has continued working in the film industry, composing scores for other directors. (Bong Joon Ho recently approached him about a horror movie.) He has also released albums of cinematic music—no film required—often working with his son, Cody Carpenter, and the musician Daniel Davies, his godson. The New Yorker Radio Hour producer Adam Howard talks with Carpenter ahead of the launch of his forthcoming tour, just in time for Halloween, and they discuss the unusual shift he made from directing to composing. “It’s a transition from pain to joy. Directing movies is very, very stressful,” Carpenter explains. “Playing music in front of a live audience—it’s joy. It’s just joy.” Carpenter recommends three inspirational scores from film history: Bebe and Louis Barron’s electronic music for “Forbidden Planet”; Bernard Herrmann’s work on Alfred Hitchcock’s “Vertigo”; and Hans Zimmer’s music for “Pirates of the Caribbean: Dead Man’s Chest.”
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